Greta Gerwig on her powerful mother-daughter love story, Lady Bird
“People say that acting is listening, but I find that writing is listening as well,” says Greta Gerwig, writer and director of the beautiful new film Lady Bird. Gerwig’s successful acting career has led her to forge an unconventional, yet organic way to tell stories. We sat down with her to find out more about her screenwriting process.
5 Things to Know When Writing a Star Wars Spin-Off
As a young writer, it is important to understand how franchise writing works. But where do you start? How do you know what kind of movies Lucasfilm will want to make in the years to come? That’s where my investigative work comes into play.
Making a Passive Protagonist Work in A Ghost Story
A Ghost Story, written and directed by David Lowery, (Ain’t Them Bodies Saints, Pete’s Dragon) is one of the most bizarre yet beautiful films I’ve seen in a long time. It’s both clever and frustrating, both emotionally consuming and numbing, both sentimental and existential. That’s a lot of contradictions for one movie.
How grieving a father’s death became a horror script
Shults says that when he was writing the film, he had no idea where all the dark thoughts were coming from. “But now, after talking about it so much and psychoanalyzing it, I think I understand where it all came from. It’s weird.”
War Machine’s writer/director David Michôd on “schizophrenic” film
For several years, Australian writer/director David Michôd has been eager to make a film about the current war in Afghanistan. After reading the late journalist Michael Hastings’s book, The Operators: The Wild and Terrifying Inside Story of America’s War in Afghanistan, Michôd knew he had a launching pad for the exact type of war movie ...