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How One Writer Used Fairytale Structure for her Script about Cannibals

For writer/director Ana Lily Amirpour, her latest screenplay, The Bad Batch, started with a single image. “The first thing I wrote – and I didn’t know how she was going to get the skateboard – but I just had this image of a girl, missing an arm and a leg, rowing herself on a life boat in a sea of dirt in the middle of nowhere. And then ...
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