The Meg writers on meeting and dodging expectations of a summer blockbuster
But as more summer blockbusters get made, and as audiences get more savvy, writing a screenplay that will feel satisfying on screen becomes more difficult. Luckily, I was able to sit down with all three of The Meg’s writers to talk about the challenges of both meeting and subverting the audience’s expectations.
4 reasons not to use flashbacks
Discussing whether flashbacks are a good idea with writers is about as easy as trying to choose your favorite Star Wars movie. There really isn’t one definitive answer. We just want to say that avoiding flashbacks more often than not is probably a good rule of thumb for all screenwriters.
8 thriller subgenres to explore when writing your blockbuster thriller
We love the excitement of a thriller. Its plot twists, mistaken identities, savage villains and high anxiety brought on by the element of suspense gets our blood racing. To help us relate to the protagonist (and up the terror), he is usually an “every man,” someone just like you or me, compelling us to coldly consider that the same ...