The Big Finish: Tips for Act Three
In some respects, writing your third act is the easiest part of your script. You’ve done all the exposition, the audience has fallen in love with your characters, and the only thing left is explaining how the story resolves. Well, maybe it’s not that easy. You do have to answer all, or at least most, of the questions you’ve raised, let the audience know what happens to each of the characters, tie up every loose end and make it all really, really exciting.
What Makes a Great Christmas Movie?
Christmas movies are becoming more and more popular. This year, the Hallmark Channel ran a Christmas movie for the first 25 days of December. Meanwhile, in the theaters there’s The Man Who Invented Christmas, Daddy’s Home 2, and A Bad Moms Christmas. So, what do you need to know to jump into this growing market? What are the basic elements of a Christmas movie?
Rom/com writer reinvents himself with the trash-tastic I, Tonya
The indie biopic I, Tonya tells the story of the infamous figure skater Tonya Harding and her quest for Olympic gold. Writer Steven Rogers (Kate & Leopold, Hope Floats), known for writing in the dying genre of romantic comedies, decided it was time to reinvent himself as a writer. Here’s how he did it.
Did You Have Overly Critical Parents? Then You Probably Have an Overly Active Inner Critic.
When we talk about the inner critic we usually focus on someone else’s inner critic—we read the article about the successful director that still suffers from self doubt, or we talk to the person in our writing group who just sold a script and they tell us they’re worried that everyone will think they’re a fraud. In cases like these it’s easy to see the inner critic for what it is: A nebulous cloud of doubts and worries that isn’t rooted in reality. But when it comes to our own inner critic, truth and fantasy become much more difficult to separate from each other.
How the Blade Runner 2049 screenwriter used math to write the sequel
Hampton Fancher and David Webb Peoples wrote the original screenplay for Blade Runner based on the Philip K. Dick story Do Androids Dream of Electric Sheep. This time, Fancher wrote a short story that became fodder for the sequel and collaborated with writer Michael Green on the new screenplay.
5 Things to Know When Writing a Star Wars Spin-Off
As a young writer, it is important to understand how franchise writing works. But where do you start? How do you know what kind of movies Lucasfilm will want to make in the years to come? That’s where my investigative work comes into play.
Five things I learned about screenwriting from Mother!
If you’ve seen any of Darren Aronofsky’s films (Black Swan, The Wrestler, Requiem for a Dream, Pi), there’s no doubt he has a dark mind. But seeing his latest film Mother! makes me think he’s only just begun to tap into his own psychological agony. Be warned – this movie isn’t going to be everyone’s cup of tea (it gave me nightmares) – but there’s no denying Aronofsky’s a genius storyteller.
5 Great Things About Screenwriting
There are so many things to love about this amazing, wild, ridiculously-complicated world of Hollywood and writing scripts, that we thought listing a few might be a good idea. So, let's get back to basics and see why we do this, and love it a little bit, too.
The Best Writing Partner
Can you take feedback? Are you overly protective, stubborn, or what? Discover how you can pick the best writing partner to work well with your personality.
Five Ways To Make Your Characters More Relatable
“Relatable characters” are the holy grail of screenwriting. Producers want to see them on the page and audiences want to watch them on the screen. But what makes a character truly relatable?
As writers, we are often tempted to focus on plot ...
7 Things Sam Shepard Taught Me About Writing
My lifelong obsession with Sam Shepard began in high school. I attended an arts school, where I studied acting, which really meant I spent most of my time reading plays. Checkov was good, Shakespeare was better, but nothing affected me like Sam ...