We’ve all read articles that list the most important things you should do in Hollywood. We’ve read about writing advice, networking tips and meeting preparation. We’ve seen one ‘Must Do List’ after another. But what about all the things you should absolutely avoid? What are the pitfalls you need to watch out for? Let’s talk about those.
Though I Feel Pretty might sound like the brainchild of Amy Schumer herself, it wasn’t. The idea was all Kohn and Silverstein’s and when they pitched it to Schumer, she loved it. But there was one element of the story that needed to be addressed: after Renee hits her head and believes herself to be appealing in every way, does her on-screen physical appearance actually change? Would Schumer’s image be replaced by that of a size 2 supermodel?
Science fiction movies are a perennial favorite among movie audiences. They dazzle us with intriguing concepts, strange terrors and stunning visions of our future. Some of the highest grossing films in Hollywood have been sci-fi driven.
We all want to write amazing dialogue, but it can be deceptively difficult. The rub is that few people actually say what they mean. Society, religion and class all put constraints on our desires, creating fear and shame that forces us to sensor our words. For the most part, that’s a good thing because it helps maintain the stability of society. But if you want to write complicated characters, you need to understand the juxtaposition of what they are saying versus what they mean. This is called subtext.
One of the first things you learn as a screenwriter is that your character(s) need to have an arc. They need to start in one place and finish in another. It’s a journey and it needs to be an emotional journey. However, it’s more complicated than that.
I have to be honest, I’m not a sports fan. But I love sports movies. That might sound illogical but when you consider that sports movies run the gambit of genres (sports/comedy, sports/romance, sports/bio-pic and sports/drama) there’s a lot to like. So, what are the common elements to a sports movie regardless of the genre its married to?
If you’ve got a great idea for a movie centered on a romance the first thing you need to do is understand the structural differences that define each romance genre. Here are the three primary romance genres and some thoughts on how to approach them.
Discussing whether flashbacks are a good idea with writers is about as easy as trying to choose your favorite Star Wars movie. There really isn’t one definitive answer. We just want to say that avoiding flashbacks more often than not is probably a good rule of thumb for all screenwriters.
So, the first thing I found out by researching set-pieces is that there’s not a long of agreement as to what they are exactly. My understanding has always been that a set-piece is a self-contained portion of your story which can stand on its own. That is certainly the dictionary definition. However, some sites are saying that a set-piece is an expensive sequence that is the dramatic or comic highpoint. That’s a definition I disagree with so what I’ll be discussing here is the first idea of a set-piece as a self-contained portion of your story.
In some respects, writing your third act is the easiest part of your script. You’ve done all the exposition, the audience has fallen in love with your characters, and the only thing left is explaining how the story resolves. Well, maybe it’s not that easy. You do have to answer all, or at least most, of the questions you’ve raised, let the audience know what happens to each of the characters, tie up every loose end and make it all really, really exciting.
Christmas movies are becoming more and more popular. This year, the Hallmark Channel ran a Christmas movie for the first 25 days of December. Meanwhile, in the theaters there’s The Man Who Invented Christmas, Daddy’s Home 2, and A Bad Moms Christmas. So, what do you need to know to jump into this growing market? What are the basic elements of a Christmas movie?
The indie biopic I, Tonya tells the story of the infamous figure skater Tonya Harding and her quest for Olympic gold. Writer Steven Rogers (Kate & Leopold, Hope Floats), known for writing in the dying genre of romantic comedies, decided it was time to reinvent himself as a writer. Here’s how he did it.
