4 Things To Know Before Writing A Horror Movie

By:

Horror movies and televisions shows are a perennial favorite among audiences. The storylines tap into our single most primal animal desire—to survive—and give us space to imagine how we would react if we were put into the same situation.

But there’s more to horror than jump scares and music. It’s a complicated beast, as any director will tell you—and it’s not as easy as it may look.

Before you start writing (or rewriting) that horror script, let’s look at advice from a few of the best horror writers and directors and see what they can tell us.

Scream (1996) Photo courtesy: Dimension Films

No. 1 – Find what scares you

“The first monster you have to scare the audience with is yourself.” – Wes Craven

Wes Craven is one of the best horror directors Hollywood has ever seen. His extraordinary list of works included A Nightmare on Elm Street (1984), The Serpent and The Rainbow (1988), and Scream (1996).

Check out ScreenwritingU’s Class “Writing Terrifying Horror Scripts”

When Craven suggests you should scare the audience with “yourself,” he probably doesn’t mean you should do a ketchup-drenched cameo. Instead, he’s talking about digging deep into what scares youand using it to thrill audiences. What are your nightmares about? Harness their terrifying power in your own stories.

Carrie (1976) Photo courtesy: United Artists

No. 2 – Create sympathy

“I try to create sympathy for my characters, then turn the monsters loose.” – Stephen King

Everyone knows Stephen King is a Master of Horror. The guy has written more classics than almost anyone else, so it’s worth checking out what he has to say.

His advice? Create sympathy for the characters. That’s the first thing you have to do to scare audiences. If they don’t care about the protagonist, they won’t care if they get shot or disemboweled or chopped up and stewed in a soup. Make the audience care first—and then set your monsters loose.

The Shining (1980) Photo courtesy: Warner Bros.

No. 3 – Use atmosphere

“A film is, or should be, more like music than like fiction. It should be a progression of moods and feelings. The theme, what’s behind the emotion, the meaning, all that comes later.” – Stanley Kubrick

The Shining is set at an abandoned hotel atop an isolated, snow-bound mountain. The setting is already downright terrifying, so when Jack starts to lose his mind, things get even scarier. But Kubrick wasn’t satisfied with just setting—he added layer after layer of atmosphere. Who can forget the creepy twin girls, the lipstick writing, the sound of the little boy on his Big Wheel in the empty hallways, the tsunami of blood? Kubrick adds mood and feeling to absolutely every scene in this movie, and the result is a classic horror movie.

The Haunting of Hill House (2018) Photo courtesy: Netflix

No. 4 – Enjoy yourself

“I delight in what I fear.” – Shirley Jackson

This sounds like strange advice, but hear me out: if you’re not enjoying the process, the audience won’t enjoy themselves either. Shirley Jackson wrote some of the most chilling stories of the last century, including The Haunting of Hill House—and she loved every minute of it. That joy seeps out between the lines. The audience can sense how much she delights in frightening us, which is part of why her work remains so popular, to this day. She loves a good scare, and so do we.

Which classic and recent horror movies and television shows have scared you most? Sound off in the comments!

 

author-avatar

Jennie Evenson is the author of "Shakespeare for Screenwriters" (Michael Wiese, 2013) as well as short fiction, essays, and a children's fantasy novel "Dalya & the Magic Ink Bottle" (Capstone, 2020). As a writer in LA, Evenson worked as a consultant for Netflix and developed ideas at production houses from DreamWorks to Focus Features. You can follow her on Twitter: @JM_Evenson

3 Replies to "4 Things To Know Before Writing A Horror Movie"

  • comment-avatar
    Alfred Dunham April 1, 2019 (4:05 pm)

    There isn’t a lot that frightens me anymore, including dying. Maybe there’s a hidden message there? I remember what used to frighten me — I was in my teens before I outgrew a fear of the dark. Going back to those fears I used to have — how might I embellish them enough to frighten myself, again? Hmm. Sounds positively tantalizing! LOL

  • comment-avatar
    Bob Greene April 2, 2019 (5:46 am)

    I don’t know how I survived childhood. Some of the things I remember are being “forced” by bigger kids in the neighborhood to crawl through an 18″ storm drain for over 150 feet with only a candle for light. Cobwebs, spiders and who knows what else. It came out at a drop off at a hillside. Other things; the “fire” the “abandoned” barn Many other scary things that I can tap into. The most frightening of all I believe was the “body” that came alive. By the way, I believe I had a great childhood. Write – write -write.

  • comment-avatar
    PETER April 25, 2019 (5:27 pm)

    Great article, Jennie!

Leave a reply

Your email address will not be published.

Join Our Magazine
Get a free subscription to Screenwriting Magazine and download over 40 Academy Nominated screenplays.
No Thanks
Thanks for Joining ScreenwritingU Magazine!
We respect your privacy. Your information is safe and will never be shared.
Don't miss out. Join today!
×
×