You’ve got a secret. Don’t you?
If you’re like most of us, you have a secret you don’t want anyone to know. Maybe you’re wearing mismatched socks, maybe you’re the lunchbox thief at work, or maybe you’re a hundred rats in a trench coat posing as a Brazilian spy. The point is: most of us know what it means to worry someone will find out our secret, leaving us vulnerable to rejection and shame.
We all want to write amazing dialogue, but it can be deceptively difficult. The rub is that few people actually say what they mean. Society, religion and class all put constraints on our desires, creating fear and shame that forces us to sensor our words. For the most part, that’s a good thing because it helps maintain the stability of society. But if you want to write complicated characters, you need to understand the juxtaposition of what they are saying versus what they mean. This is called subtext.
For many of us, just hearing the word subtext gives us a flashback to our high school English class. In that class, the teacher probably discussed subtext in terms of dialogue and left it at that. But, subtext really refers to all that is not spoken and encompasses much more than simply dialogue. Subtext is important in all genres but works ...
